The new record Blue Neighborhood is the stunning follow up album to Troye Sivan’s first EP, TRXYE, which sold over 500,000 copies in the US alone. Troye Sivan Mellet is a 20 year old South African born singer, songwriter, actor, and youtuber. Other writers and producers credited on the album include Alex Hope, Pip Norman, Caleb and Georgia Nott, Bram Inscore, and Jack Antonoff, among others.
Blue Neighborhood is generally a pop album, with elements of synth pop. It has strong vibes of vocals that take you through every emotion, from sadness to pride to longing.
The album starts off with Wild, which was released originally as a single, then as a self titled EP, and then in the album. The instrumentals are comprised of fitting snaps, drum fillers, and a lot of electronic beats and backup. I find that the instrumentals really compliment the vocals, but at times overpower Troye. In terms of the actual singing, it is really good, but unlike some of the other songs on the album, it has a lot less depth and personal touch. Within Blue Neighborhood, there is a trilogy of songs (with the same name) that tell a very powerful story, and are accompanied by music videos, Wild is the first of three, and shows Troye’s affection towards a boy, with whom he has had intimate moments but not a relationship.
After that is Bite, which is significant slowed down as compared to Wild. This song is different in that there are the vocal sections, which accentuate this very raw and slightly raspy voice that Troye has, followed by sections of instrumentals, mostly electronic and drum based. There are a few parts that end up breaking up his voice, which sounds weird at first, but ends up contributing to the overall longing and broken mood of this song.
The next song is Fools, which very quickly takes the listener on the sad route. Fools is the second song in the Blue Neighborhood trilogy, depicting this sort of impossible love, where “only fools fall for you”, as the love can never be received back. I find that the vocals and instrumentals mesh a lot better in this song, where Troye is well supported by drums and piano, and they are able to follow the pace of the song perfectly. I enjoy this song in that it is neither rushed nor slow.
After Fools is a song called Ease, which features an artist named Broods. It has a lot less touches of synth pop, and focuses primarily on the two artists voice and the drums.This song has this sort of conflicting emotion. It has elements of happiness, but they are pulled down by this sort of hopelessness, regret, and pain. I really like how this song ended up being put together, and I find it quite nice. The blend of the male and female voice also end up working together really well.
The following song is The Quiet which may be one of my favorites. It is highly electronic backup but not in an obnoxious way. In fact, it is done in a way that seems to mimic natural instrumental sounds. there are also some parts where Troye’s voice is layered, but it is done so little that it ends up accenting the song beautifully. There are a few songs on the album that sounds like letters to somebody in his life. This is one of them, and in it he is pleading for the person to respond. It comes out strongly, and it is one of those songs where you can feel the desperation somewhere deep inside.
The next song is called DKLA, which features an artist named Tkay Maidza. It is one of the darkest songs on the album, and shows how you can’t keep “love around”, and you have to remove yourself from this sort of downward spiral. I actually found the rap insert from Tkay unnecessary. It removes the listener from this sort of deep contemplation from Troye. I also found the electronic inserts quite overpowering, to the point where they take away from what seems to be the intent.
The next song is called DKLA, which features an artist named Tkay Maidza. It is one of the darkest songs on the album, and shows how you can’t keep “love around”, and you have to remove yourself from this sort of downward spiral. I actually found the rap insert from Tkay unnecessary. It removes the listener from this sort of deep contemplation from Troye. I also found the electronic inserts quite overpowering, to the point where they take away from what seems to be the intent.
The next song on the album is Talk Me Down, which is the third and final song in the Blue Neighborhood trilogy. It is both one of the saddest and best songs. It creates this raw emotion easily felt by the listener. It transfers the pain and earnest feelings felt by Troye Sivan. The idea of talk me down refers to the suicides of LGBTQ+ teens. The lyrics, accompanied by the video give insight into a story, which isn’t Troye’s personal story, of a boy who gets abused by his alcoholic father for being gay. The instrumental is piano and electronic, but it ends up complimenting Troye’s vocals perfectly, and the darkness of it at times helps the mood stay consistent and strong.
These are actually only the first 7 of the 16 songs on the album. There are three other guest artists including Allday, Betty Who, and Alex Hope. I like every single one of them, despite some previously mentioned problems. The album overall is definitely worth listening to as it combines raw vocals and emotions, with innovative electronic instrumentals techniques, and drums.